I can’t do anything about it anyway. So I might as well not try.
Sound familiar? Dealing with the anxiety of climate change and the destruction of the planet for the past two weeks has almost sent our cast into a paralysis. Cosmic Fear is all about three people trying to deal with this paralysis – three people trying to take action instead of just talking. So after a week of table work, highlighting facts and events in the style of good old Stanislavski, we’ve now moved on to do what might actually be the first step to personally save planet earth – experiencing the problem in our bodies. It seems like the only way we can really explore the weight of this issue is to actually embody it. Talking about it will just end in the team’s collective mental breakdown.
Director Kay Michael has been working with the cast on embodiment and exploring the game within the play through various exercises that have literally turned our little hub of Room One into an apocalyptic consumer-explosion. Costumes and props galore have been covering the floor for two weeks now, providing the actors with plenty of opportunities to play. They’ve created a superhero film trailer for climate change SAVE PLANET EARTH to cut to the core of the issues the characters are trying to solve. They’ve mirrored clips of Brad and Angelina in famous scenes, trying to replicate their tempos (Laban style) and qualities, creating the heroes of our Cosmic Fear. With movement director Sara Green they’ve explored how a mental paranoia can manifest itself through movement and personal tics. They’ve even created their own survival uniform for when destruction is knocking at the door.
The first week was all about dissecting this beast of a play. Digging deep into the issues most of us have ignored – things we all know but have stored somewhere at the back of our brains. The actors brought in images, research and videos and by trying to create a very real environment and relationship for the three, the otherwise slightly obscure structure of the text now makes perfect sense to all of us (or so we hope!). Kay’s work searches for detail and imagination, and with our brilliant cast members Sam Ducane (B), Jessica Sian (A) and Jack Gordon (C) what seemed like a hurricane of complex ideas is now a piece of performance that demands a presence in the room. With this process of fine textual detail and a vast physical exploration I feel this play is becoming something that will turn New Diorama and Edinburgh upside down. We’re two weeks in, and already marrying the physical exploration with the almost overwhelming research – one more week and our three paranoid Brad’s will be ready to give global warming a good kick.
— Guest blogger: Camilla Gürtler, Assistant director
Cosmic Fear or The Day Brad Pitt Got Paranoia previews at New Diorama’s Incoming Festival on 3rd July, before transferring to Bedlam Theatre for the Edinburgh Festival Fringe in August.